Item of the week: the September 3 storm

John Myers Sept. 4, 1821 letter to his brother Sam

It looks like Hurricane Earl has blown by Norfolk, luckily without much damage. The round the clock coverage of approaching storms we enjoy today gives us ample time to prepare for storms – a luxury previous generations of Norfolk residents didn’t have. A pair of letters from the Myers Family papers reveal the surprise and terror they felt in the wake of devastating weather. On September 3, 1821 a powerful storm, probably a Category 2 or 3 hurricane on today’s Saffir – Simpson scale hit Hampton Roads. On September 4 John Myers wrote his brother Samuel Myers in Richmond:


“We have an awful tempest – the damage done is great – the extent not ascertained – sufferers many – some severe – the papers give you a hazy & imperfect sketch. It is a scene that could not be described without detailing a thousand minutia - you must see it to believe – we have not a tree, shrub or fence standing ... I do not know what is the loss in expense to the Richmond Boats – They are both high and dry in a cornfield, about ten miles above the eastern Sandbridge – when & how to be got off I know not.”

On September 5, John wrote again in greater detail, adding:

“Our dwelling stands & all are safe & well within – but every tree & fence & shrub around are leveled – Our drawbridge struck ground & the Lothair (a ship) is in a cornfield not to be gotten off … I would not repair the damage to the town for 200 million dollars - it is a scene of devastation – Chamberlain is a considerable sufferer – His brig sunk – I must refer you more particularly to the papers – The Richmond & Petersburg are in a cornfield ten miles above the Eastern Bridge, how and when to be got off is conjecture – heavy expense at least. Disease & death , which surround us, has no terror like the fury of the tempest...”

The Hurricane, which went on to be the last Hurricane to directly strike New York City continued up the coast, leaving destruction in its wake. Disease often followed a storm, and in 1821 Norfolk was struck by a yellow fever epidemic which increased the toll on the  already suffering city.

If you’d like to learn more about the Myers family, stop by the Library or visit the Moses Myers House.

A Fond Farewell

On May 31, 2010 the world lost a great artist. The death of Louise Bourgeois at the age of 98 marked the end of a long and art-filled life. Thought known best for her sculpture, Bourgeois learned to draw and paint at an early age. She began her adult life as a mathematics student at the Sorbonne – a subject she liked because its constancy helped her to temporarily forget a painful family life. She left to enroll in art school, and in 1938 married art historian and critic Robert Goldwater. The couple moved to New York City, and Bourgeois became part of the Student Art League. In 1981, she was honored with a retrospective show at the Museum of Modern Art in New York. Bourgeois continued to work until her death. Her life was marked by private pain that drove her creativity and gave her solace that came from expressing her emotions through her prolific creation of sculpture and image. She has left behind a legacy to be enjoyed by the world.
- SCM

Thoroughly Modern

If it were 1913, we’d all be in a bit of an uproar at the moment. This week in 1913, Marcel Duchamp displayed his now-famous “Nude Descending a Staircase, No. 2” at the First International Exhibition of Modern Art in New York City. We know this show, now a tradition, affectionately as “The Armory Show.” The American public was scandalized by the Cubist and Futurist-influenced piece. The art critic Julian Street went so far as to dub the painting “an explosion in a shingle factor.”

Scandalous or not, Duchamp was in good company. Other artists exhibiting included Kandinsky, Picasso, Brancusi, Sloan, Matisse, Munch, Redon, Cezanne, van Gogh, Prendergast and more. Kandinsky, Picasso and Duchamp were being shown in the United States for the first time. The show, organized over the course of a year by artists and critics, aimed to showcase the new era of thought and energy emerging within the art world. Though some patrons were hesitant at first, The Armory Show and its works - those loved and hated- sparked conversation all over the country and marked a change in American thinking about art.

As we look ahead to The Armory Show 2010, which will be held March 4- 7, I can’t help but be grateful for that first show nearly one hundred years ago. We live in a world where, on a whim and at the click of a mouse, we can travel to nearly any museum or stand in nearly any gallery in the world and see what’s new. And yet artists and patrons alike make the pilgrimage year after year to New York to see, to be seen and to see what everyone will be talking about tomorrow. The conversation that began on February 15, 1913 continues generations later.

Speaking of which, does anyone out there have an extra ticket?

http://www.thearmoryshow.com/cgi-local/content.cgi

Library Assistant Sara Mason