Update - What's New at the Library



Garden Bulbs In Color SB425 .M25 1938

 Spring has sprung at the Chrysler! Lovely tulips have blossomed in both the Memorial Garden and Mary’s Garden. The galleries are also blooming with color – whether it’s the amazing watercolors of James Tissot: The Life of Christ or the brilliant flowers of Tiffany Lamps:Articles of Utility, Objects of Art. In the Library, too, all sorts of new things are springing up. It’s been awhile since we’ve had a Library update, so here are a few of the many things that are new:

New look –
You may have noticed - the blog looks a little different. After a brief hiatus we’re back with an updated look and some new features. You may enjoy checking out a changing selection of recently researched items, or linking our posts to your Facebook or Twitter page. You can also sign up to receive an email whenever the blog is updated.    We hope you like the changes – please tell us what you think.


New faces –
On April 6 we welcomed Special Project Librarian Chelsea DeAngio to the Library Staff. Chelsea is already hard at work making new materials available to Library patrons and helping with reference requests. She’s great! If you haven’t already, stop by and say hello.

The Museum also welcomed a new curator, Amy Brandt, in March. Amy is the new McKinnon Curator of Modern and Contemporary Art, and has been hard a work researching the collection. She’s already helped us build the Library’s collection of books about contemporary art with some much needed additions. You can read more about Amy here. We’re glad to be working with her.

New information -
Everywhere you look in the galleries, there something new and different to look at - new exhibitions, new collections, and new works of art. We’ve been keeping pace in the Library. You’ll find information about all of the current exhibitions on hand in the reading room, along with a number of newly acquired books.

Old and interesting –
If you’ve already visited the James Tissot: The Life of Christ exhibition you may be interested in taking a look at our 1903 New York edition of the completed illustrated Bible for which the watercolors were produced. The three volume set is on view in the reading room.

We’re also featuring new items from the Library’s “hidden” collections in the reading room display case. Along with The Civil War: Visual Perspectives, Then and Now exhibition on view in the Waitzer Community Gallery – a challenging look at the meaning and impact of the War on American history and culture from a variety of perspectives - you can see some intriguing archival materials relating to the Civil War in Hampton Roads from the Library’s collection and start a conversation with voices from the past.

I hope to see you in the Library again soon!

 - L.C.

The Greening of the Art World

It seems as if you can’t go anywhere these days without being told how to “Go Green.” Once a trend, green living has quickly become a way of life all over the world. In need of inspiration and materials, artists have always run to constructing works with natural materials or reclaiming one man’s trash as artists’ treasure. The Chrysler Museum is the proud owner of many Earth-conscious pieces of art including Vik Muniz’s 2006 creation “Orestes Pursed by the Furies (Pictures of Junk)” and David Smith’s 1961 construction “Gondola.” If your visiting the museum before July 2011, please be sure to stop by the Frank Photography Galleries and see the installation “Contrast: Interactive Works by Daniel Rozin,” an artist who works in reclaimed materials and electronic parts.

Care to learn more about green art and artists? Looking for some inspiration of your own? Stop by the Jean Outland Chrysler Library and spend a moment with our exhibit about eco-art. We are currently displaying recent craft and art education magazines focusing on making art with reclaimed, as well as books about green artists such as Rodney A. Greenblat (whose 1990 work "Confrontation in the North" is pictured above), Alexander Calder, David Smith, Vik Muniz, Andy Goldsworthy, Robert Smithson and more. Special thanks to the Chrysler Museum Facilities Department for feeling the green-spiration and lending us publications about sustainable facilities. We hope to see you soon!

- SMR

Top Shelf Books from the Age of Queen Victoria

The World’s Columbian Exhibition, 1893

As an ode to the beauty of Victorian book and their ornate bindings, we’ve filled the top shelves of the reading room with volumes most fitting of attention. One such is The World’s Columbian Exhibition, 1893. The pale blue, gold and black volume is lavishly decorated with scenes of innovation and antiquity. The inside is even more impressive than the binding. The book is filled with photographs and sketches of the exhibits and participants, architecture and inventions. The account of artwork and technology in each building was painstakingly compiled by Trumbull White, World’ Fair Correspondent and William Igleheart, World’s Fair Editor of “Chicago Record.” Others contributed introductions and commentary. Such a large exposition could not possibly be reported by just two journalists. With a full list of illustrations, a department by department introduction, and further commentary by luminaries of the time, this book would have been a must-have for anyone attending the exposition as well as those too far away to enjoy its wonders. Please stop by the Jean Outland Chrysler Library and have a look at this marvel of decorative binding and all of the other books on display.

-SCM

Intern's Journal - A View From the Stacks Week 5

Our wonderful interns Casey and Chelsea have completed their internships and are headed back to school, but they left us with a vivid journal recounting their summer adventures in the Library. Stay tuned for future editions of "A View from the Stacks" which will continue to appear on the blog during the next few weeks.

Week 5 – Research


        Research week! My favorite part of art history. While this process feels daunting at first, I’ve found that research always leads me through unexpected avenues and leaves me questioning even long after the project has been completed. For our project, Laura instructed us to find one piece in the collection to research. Our research would be added to the Library’s vertical files in the hopes of bringing them up-to-par with Registration’s files, and helping to lead future researches in the right direction. Once again, I was faced with choosing one piece in a collection of thousands!

Rather than selecting a piece by an artist I was familiar with, I decided to choose one I knew little about, and one whose vertical file was in need of expanding. I wrote down several and then narrowed my choices. In a Northern Renaissance gallery (of course) I stumbled upon a tiny painting by Frans Francken II called Death and the Miser. This painting, with its grim subject, is not one I would ordinarily be drawn to, but one that certainly interested me at first glance. It shows a skeleton serenading a seated old, feeble man. Presumably the same man and skeleton are seen out the window, but the man appears much younger. This image’s small size does not detract from its psychological impact, nor it’s ability to show the artist’s skill. It was a front-runner in my choices, and I soon found out it was lacking a vertical file altogether. I felt that this painting’s ability to attract my attention at such a small size and with such a strange subject earned it the right to live among the library’s vertical files.

After researching online and looking through files in the Registrar's record, I found out there are several reproductions of Death and the Miser, and also that there are several Franz Francken’s – a problem that has plagued connoisseurs and researchers for generations. For the purposes of this project, I decided to note this information, but to coincide with the Chrysler’s identification panel, to attribute the painting to Frans Francken II (or the Younger) . My Pathfinder for future researchers included websites containing relevant information, other paintings by Frans Francken the Yonger, useful publications within and outside the JOCL, and other artists and paintings from Northern Europe depicting similar subjects. I hope this research will help to further the interest of others looking for information about this painting and those of similar subjects.

Also this week, Chelsea and I constructed our Book Cart, inspired by a German do-it-yourself doll-house book. Our dollhouse, while not as glamorous as the dollhouses in this book, was done on a budget of only $10. We used cardboard and masking tape to create faux bricks and hardwood floors. We printed out pictures of windows, appliances, cabinets, wallpaper, and tile floors for the interior, and included my childhood dollhouse furniture. Members of our house include, Dr. Scott Howe, Dr. William Hennessey and even our cataloguing fellow, John Curtis. We hope you enjoy our home-made Puppenhaus!

- Casey Nye, 2010 Summer Library Intern

11 Classic Children's Art Books

This summer, the Jean Outland Chrysler Library staff was excited to add a new collection for young visitors to the Museum. Our brand-new children’s book collection focuses on books about art and artists, but also features some familiar titles – such as Maurice Sendak’s Where The Wild Things Are. Last week online art journal ARTINFO.com writer Emma Allen listed the top 11 Classic Children’s Art Books [ here ] and I was excited to see that our fledgling collection already contains more than half of the books listed! Among the books from our collection that are included in the list are:

•From the Mixed-Up Files of Mrs. Basil E. Frankweiler by  
   E.L. Konigsburg

• Mouse Paint by Ellen Stoll Walsh

• Linnea in Monet’s Garden by Cristina Bjork

• The Uncle Andy Books by James Warhola

• Action Jackson by Jan Greenberg and Sandra Jordan

See an old favorite or a title you’d like to read – stop by, this collection’s for young minds of all ages!

- LEC

A Fond Farewell

On May 31, 2010 the world lost a great artist. The death of Louise Bourgeois at the age of 98 marked the end of a long and art-filled life. Thought known best for her sculpture, Bourgeois learned to draw and paint at an early age. She began her adult life as a mathematics student at the Sorbonne – a subject she liked because its constancy helped her to temporarily forget a painful family life. She left to enroll in art school, and in 1938 married art historian and critic Robert Goldwater. The couple moved to New York City, and Bourgeois became part of the Student Art League. In 1981, she was honored with a retrospective show at the Museum of Modern Art in New York. Bourgeois continued to work until her death. Her life was marked by private pain that drove her creativity and gave her solace that came from expressing her emotions through her prolific creation of sculpture and image. She has left behind a legacy to be enjoyed by the world.
- SCM

Lately, I’ve been reading Gregory Gibson’s Hubert’s Freaks: The Rare-Book Dealer, the Times Square Talker, and the Lost Photos of Diane Arbus. Photographer of both the popular and the unorthodox, Arbus lived an extraordinary adventure until her untimely death in 1971. She portrayed her subjects with uncompromising directness and dignity. Though born into an affluent New York family, Arbus chose to photograph in some of the darkest, most forbidden – and most interesting places in the city. She cut her professional teeth as a fashion photographer, but felt restrained by the rules of the fashion world and collaboration with her husband Allen Arbus. Later, through her technical studies with Lisette Model and the encouragement given by her famed tutor, Arbus honed her personal style. Eventually, her work revolutionized documentary photography. Interested in learning more about Diane Arbus? Please join us on May 19th for the latest installment of Books & Art, Wine & Cheese and have a look at ground-breaking photographs by female photographers in Women of the Chrysler.

--SCM

"Why Have There Been No Great Women Artists?"

When ArtNews published feminist art historian Linda Nochlin’s essay “Why Have There Been No Great Women Artists?” in 1971, it set off a firestorm of discussion in the art world. Nochlin focused on the male-centric world of art history. Were there really never any great women artists, or had their accomplishments been misattributed and played down? Thirty years later Nochlin’s question became the topic of a conference at Princeton on the state of women artists, and her new essay “Why Have “”There Been No Great Women Artists” Thirty Years After” was published. Are you interested in weighing in on this issue? Please join us at the next Chrysler Museum Art & Books, Wine & Cheese on Wednesday, April 21, 2010 for what is sure to be a lively discussion. Please e-mail us at library@chrysler.org if you would like to have digital scans of the articles sent to you. We hope to see you there!