Here at the Jean Outland Chrysler Library, we spend a lot of time adding to our vast store of information by filtering newspaper clippings, gallery mailings, etc. into our artist files. Occasionally, we run across a wonderful surprise. While sorting a box of what we thought was artist information to be added to our vertical files, we ran across the history of a company, a career and a passion for better glass.
Edgar Bostock was apprenticed to the window glass trade by his father, Edward Bostock on October 14, 1890 through the offices of the Window Glass Workers Association. He was apprenticed for the designated period of 3 years. The files contain Bostock’s workers’ account book beginning date November 11, 1893, his Glass Workers Association due book – both of which any glass worker would have had – as well as a World Glass Workers Association Delegate pin. Correspondence, photographs and a beautifully-colored trade catalogue from the plate and decorative glass company that Bostock would later found called Bostock, Rhoades & Co., though undated, give us a glimpse of how far Mr. Bostock came in his career.
The files are based on Mr. Bostock’s professional life and also contain letters, chemical formulas, articles and hand-written notes pertaining to the chemistry of glass. Perhaps the jewel in the crown of this find are the writings of Edgar Bostock - handwritten and typed - including professional journal articles, speeches, and the manuscript for a book regarding the history of glass and other glass-related subjects. The articles and manuscripts were found bound with heavy twine and the pages are carefully numbered and revisions are included as if the author were preparing for careful professional editing and publication. Bostock’s chief concern appears to be maximizing the chemical composition and shape of glass for maximum lighting capabilities, though his company also made colored decorative glass, which accounts for the deep chemical interest in tinted glass. The bulk of the materials contained in these files appear to be from the nineteen-teens and twenties, and other than Bostock’s Union paperwork and wage books, there is no account of his early career.
Please keep an eye on our blog for more surprising finds!
- SMR
Showing posts with label Authors. Show all posts
Showing posts with label Authors. Show all posts
Friday, February 18, 2011
Friday, December 3, 2010
Marley was dead, to begin with…
What better on a cold evening than to curl up with a classic tale of mystery and horror? Even the most cheerful holiday songs tell us “There’ll be scary ghost stories and tales of the glories…” Spooky tales by the fire have been a winter’s tradition for time in memoriam, beginning as a Pagan tradition. Over the centuries, the tradition has continued in many manifestations. Dickens visited upon Ebenezer Scrooge three spirits, the ghost of Hamlet’s father haunted the ramparts during Christmastide, J.M. Barrie and Robert Louis Stevenson both spun ghostly winter yarns, and Poe – of course – sat his lonely characters before the fire on a midnight dreary. To continue this haunting tradition and as a nod to the on-going London Calling: Victorian Paintings from the Royal Holloway Collection, the Art/Books, Wine/Cheese Book Club will be reading the spine-tingling classic A House to Let by Charles Dickens, Wilkie Collins, Elizabeth Gaskell and Adelaide Anne Procter. Please join us on Wednesday December 15 at 6:30pm to discuss the novella. Busy that evening? Drop by the Jean Outland Chrysler Library Wednesday through Friday and leaf through favorite tales –scary and otherwise – by Charles Dickens, J. M. Barrie, Robert Louis Stevenson, William Shakespeare, Edgar Allan Poe, Nathanial Hawthorne and many more. Happy reading!
- SMR
- SMR
Friday, August 27, 2010
11 Classic Children's Art Books
This summer, the Jean Outland Chrysler Library staff was excited to add a new collection for young visitors to the Museum. Our brand-new children’s book collection focuses on books about art and artists, but also features some familiar titles – such as Maurice Sendak’s Where The Wild Things Are. Last week online art journal ARTINFO.com writer Emma Allen listed the top 11 Classic Children’s Art Books [ here ] and I was excited to see that our fledgling collection already contains more than half of the books listed! Among the books from our collection that are included in the list are:
•From the Mixed-Up Files of Mrs. Basil E. Frankweiler by
E.L. Konigsburg
• Mouse Paint by Ellen Stoll Walsh
• Linnea in Monet’s Garden by Cristina Bjork
• The Uncle Andy Books by James Warhola
• Action Jackson by Jan Greenberg and Sandra Jordan
See an old favorite or a title you’d like to read – stop by, this collection’s for young minds of all ages!
- LEC
•From the Mixed-Up Files of Mrs. Basil E. Frankweiler by
E.L. Konigsburg
• Mouse Paint by Ellen Stoll Walsh
• Linnea in Monet’s Garden by Cristina Bjork
• The Uncle Andy Books by James Warhola
• Action Jackson by Jan Greenberg and Sandra Jordan
See an old favorite or a title you’d like to read – stop by, this collection’s for young minds of all ages!
- LEC
Friday, August 6, 2010
The Seven Thrones Mystery
After most of a week off to officially become a resident of Norfolk (Boston to Norfolk in 16 ft. truck = 14 hours), I was welcomed back with the opportunity to work with some fantastic and sometimes mysterious rare materials. I’ve been able to catalog, among other things, the library’s holdings of an early 20th century magazine called The Craftsman and a rare, artistic box of booklets, multimedia, and sculpture to commemorate a 2004 performance by artist Terence Koh. The latter proves that an item need not be half a century old to be classified as rare; in this case, the Jean Outland Chrysler Library may be the only art library in the world with a copy of the “Koh & 50 Most Beautiful Boy” box, which was produced in very limited quantities.
Most exciting for me, however, was the chance to solve the mystery of a Persian-language book possibly created as far back as 1482. Lacking a staff member able to read what may be an archaic form of Persian script, we’re unable to say with certainty what the text is about. The volume is beautifully illustrated in a Persian miniature style prominent in the 15th and 16th centuries. Adding to the mystery is a loose, typed note with the name and dates of a famous Persian poet, Jami. Clues in hand, I started some online digging through other institution’s catalogs and exhibitions as well as following a Wikipedia trail (yes, I admit it) to Jami, Persian poetry, and miniature painting. When I looked up it was 2 PM and I was momentarily convinced we had a version of Jami’s most famous work, Haft Awrang (Seven Thrones). Unfortunately, my theory remains just that and without being able to read the text, I can only rely on visual characteristics and the beautiful illustrations. Two of the illustrations in our volume match scenes depicted in the most famous Haft Awrang manuscript, currently residing in the Freer Gallery of Art, but the others do not immediately invoke scenes from Jami’s epic work. If nothing else, I had an exciting morning of feeling the smallest bit like a desk-bound Indiana Jones, but hopefully my research can provide another starting point for future catalogers or researchers. The mystery volume remains one of the most intrinsically valuable in our rare collection and stands as a personal highlight for me.
Most exciting for me, however, was the chance to solve the mystery of a Persian-language book possibly created as far back as 1482. Lacking a staff member able to read what may be an archaic form of Persian script, we’re unable to say with certainty what the text is about. The volume is beautifully illustrated in a Persian miniature style prominent in the 15th and 16th centuries. Adding to the mystery is a loose, typed note with the name and dates of a famous Persian poet, Jami. Clues in hand, I started some online digging through other institution’s catalogs and exhibitions as well as following a Wikipedia trail (yes, I admit it) to Jami, Persian poetry, and miniature painting. When I looked up it was 2 PM and I was momentarily convinced we had a version of Jami’s most famous work, Haft Awrang (Seven Thrones). Unfortunately, my theory remains just that and without being able to read the text, I can only rely on visual characteristics and the beautiful illustrations. Two of the illustrations in our volume match scenes depicted in the most famous Haft Awrang manuscript, currently residing in the Freer Gallery of Art, but the others do not immediately invoke scenes from Jami’s epic work. If nothing else, I had an exciting morning of feeling the smallest bit like a desk-bound Indiana Jones, but hopefully my research can provide another starting point for future catalogers or researchers. The mystery volume remains one of the most intrinsically valuable in our rare collection and stands as a personal highlight for me.
Friday, April 16, 2010
"Why Have There Been No Great Women Artists?"
When ArtNews published feminist art historian Linda Nochlin’s essay “Why Have There Been No Great Women Artists?” in 1971, it set off a firestorm of discussion in the art world. Nochlin focused on the male-centric world of art history. Were there really never any great women artists, or had their accomplishments been misattributed and played down? Thirty years later Nochlin’s question became the topic of a conference at Princeton on the state of women artists, and her new essay “Why Have “”There Been No Great Women Artists” Thirty Years After” was published. Are you interested in weighing in on this issue? Please join us at the next Chrysler Museum Art & Books, Wine & Cheese on Wednesday, April 21, 2010 for what is sure to be a lively discussion. Please e-mail us at library@chrysler.org if you would like to have digital scans of the articles sent to you. We hope to see you there! Friday, March 12, 2010
Kate Chopin's The Awakening at Art & Books, Wine & Cheese!
Please join us on March 17th at 6:30pm for Art & Books, Wine & Cheese in the Gifford Room at the Chrysler Museum of Art. We will be kicking off Women of The Chrysler by discussing Kate Chopin’s The Awakening. Kate Chopin, nee’ Catherine O’Flahrety, was born in St. Louis to an Irish father and a mother of French descent. She spent her life surrounded by strong women, including her mother and two grandmothers, and good friends who influenced her creative ideas and encouraged her writing. Her charming personality and quick mind led to friendships with the likes of Edgar Degas and George Sand. Chopin’s writing was both celebrate and heavily criticized by her contemporaries; quite notably Willa Cather.
Upon its publication in 1899, The Awakening was labeled as shocking, morbid and distasteful. Chopin’s depiction of the public and private life of a well-off woman of polite New Orleans society caused a fuss in its day, but was quickly forgotten after her death in 1904. A resurgence of the popularity of her work in the late 1960s and early 1970s once again brought Chopin’s novels and short stories to the forefront. Her work has become a permanent fixture in literature classes world-wide, The Awakening being arguably the most popular and thought-provoking. We hope that you will be provoked to join us on the 17th.
For more information about Kate Chopin, please visit http://www.katechopin.org/.
- Library Assistant Sara Mason
Upon its publication in 1899, The Awakening was labeled as shocking, morbid and distasteful. Chopin’s depiction of the public and private life of a well-off woman of polite New Orleans society caused a fuss in its day, but was quickly forgotten after her death in 1904. A resurgence of the popularity of her work in the late 1960s and early 1970s once again brought Chopin’s novels and short stories to the forefront. Her work has become a permanent fixture in literature classes world-wide, The Awakening being arguably the most popular and thought-provoking. We hope that you will be provoked to join us on the 17th.
For more information about Kate Chopin, please visit http://www.katechopin.org/.
- Library Assistant Sara Mason
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